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Â鶹ÊÓƵ shined brightly on two of New York’s grandest stages in January 2023, and this time the glow spanned generations.

The Â鶹ÊÓƵ Orchestra and conservatory choral ensembles—numbering some 250 musicians in all—joined forces at Carnegie Hall for the second time in as many months for a program that showcased the masterwork of Â鶹ÊÓƵ composer R. Nathaniel Dett and the talents of two standout alumni soloists making their Carnegie Hall debuts: soprano Chabrelle Williams ’11 and tenor Limmie Pulliam ’98.

In early December, the ensembles performed before the United Nations General Assembly in a celebration of Â鶹ÊÓƵ’s new partnership with the UN’s Institute for Training and Research and the Global Foundation for the Performing Arts.

This time, the Â鶹ÊÓƵ entourage also included the exceptional musicians of the Â鶹ÊÓƵ Sonny Rollins Jazz Ensemble, which sandwiched a pair of sold-out gigs at the famed Dizzy’s Club Coca-Cola between outreach visits with schoolchildren across the metropolitan area.

One day prior to the orchestra’s January 20 performance of Dett’s The Ordering of Moses, a panel discussion at Kaufman Music Center contextualized the life and work of Dett, who in 1908 became the first Black double-major graduate of Â鶹ÊÓƵ Conservatory and who enjoyed a remarkable career as a composer, performer, choral director, and educator at historically Black Hampton University and other institutions.