Art History

A student gives a talk in front of a painting in the museum.

Program Overview

Explore visual and material cultures from around the globe.

Photo credit: Yevhen Gulenko

The Material and Visual, the Global and Regional

Art History explores visual and material cultures from around the globe, from the earliest civilizations to the contemporary world. We ask how humans make meaning in visual and/or material form, and how these forms communicate distinctly from other types of evidence such as written texts. With an emphasis on geographical and methodological diversity, �鶹��Ƶ students consider histories of multiple viewpoints, ranging from the anonymous artisan to famed artists, or groups working outside or against a ruling authority. Taking images and objects as our points of departure, we explore methodologies that open up onto understandings of broader social, political, and historical structures of race, class, sexuality, and gender, preparing our graduates for a range of careers.

A World-Class Museum as Your Laboratory

As a student at �鶹��Ƶ, you will use the like a laboratory. All Art History courses involve visits to the museum, one of the five best university art museums in the United States. Here you will do first-hand study of objects from around the world, discuss them with your peers and professors, and research them in our dedicated Art Library. Some courses include curating exhibitions in the AMAM. Many �鶹��Ƶ students participate in the AMAM’s docent program where they receive training to lead visits to school children and community members; others work as assistants to curators at the AMAM.

Contact

Chair:

Matthew Rarey

Administrative Assistant:

Jamie Jacobs Overstreet

artdepartment@oberlin.edu

440-775-8181

More than 15,000 works of art spanning world cultures over six millennia in the Allen Memorial Art Museum

Curating Culture

Work side-by-side with faculty and curators to launch a new exhibition, building concrete skills for a career in the arts.

Over 75% of art history majors study abroad in locations as diverse as Dakar, Tokyo, Buenos Aires, and Berlin.

Art Rental

An �鶹��Ƶ tradition since 1940, Art Rental invites students to live with an original work of art for a semester.

Students hold up framed art that is packed for transport.

Undergraduate Research

My project explores the intersections between queer and Christian iconography and identity in the art, life and legacy of '80s pop artist Keith Haring.

Learn more about Cecil’s project

ARTH 154

Approaches to African Art

This course introduces students to the visual cultures of Africa and its diasporas. Through thematic case studies, students explore African performance, ritual, sexuality, and identity. Special attention is paid to cross-cultural influences, impacts of empires, slavery and colonialism, and the contemporary art market.

Taught by: Matthew Rarey

ARTH 214/JWST 326

Sacred Art of the Medieval Mediterranean

Explore the art and architecture of Judaism, Christianity and Islam in the Mediterranean from the first to the fifteenth century. What role did Synagogues, Churches and Mosques play in everyday life? We will study key sites (Jerusalem, Damascus, Rome, Istanbul) and media (metalwork, textiles, and manuscripts) to better understand the exchange and conflict between three important religions.

Taught by: Erik Inglis ’89

ARTH 253 / HISP 253

Latinx Art: Past and Futures

In the past thirty years, Latinx art has emerged as a distinct field of study within Art History, absorbing a diverse group of artists working across styles into one category. This survey pairs an overview of Latinx art from 1945 through the present with the theories and arguments that serve as the foundation for the field. Guiding questions are: what are the possibilities and limitations of Latinx art? What role does aesthetics play? What is the future of the field? In particular, we will explore the role of Queer, Black, Indigenous, and feminist histories in the development of Latinx art.

Taught by: Ana Cristina Perry

ARTH 329

Cultural Property? Art, Heritage, Ownership

How do modern viewers relate to objects from the past? Should antiquities be admired in museums and collected as possessions? Or should we seek to reconstruct an object’s original historical function? With a focus on China, this course examines what archaeologists, art historians, collectors and museum curators have to say in response to these questions. Students will research case studies to weigh positions on the many sides of these debates.

Taught by: Bonnie Cheng

Watson Fellow in the Global South

Art history major Madi Goetzke ’21 will spend a year traveling the world as a Watson fellow to analyze the role of communally-based cultural heritage sites in Panama, Malaysia, Brazil, and Nigeria.

Learn more about Madi’s fellowship